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Cast Glass Sculptures
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Tropic Sunrise * Featured Page *

Tropic Sunrise

(LucidVisions)
Heliconia latispatha, strelitzia reginae "Bird of Paradise", bamboo, and anthurium andraeanum.

38" x 15"

This was the ultimate arrangment with complexity of design throughout the Heliconia and the bird of paradise. Needless to say we learned more in this arrangment than all of them together. We were very excited to see this vision a reality and it was entirely made in the heat of the summer when our studio was pushing well over 100 degrees.

Tree Frog and Floral Oil Burning Lamp * Featured Page *

Tree Frog and Floral Oil Burning Lamp

(TheGlassFish)
Here is a functional oil burning lamp. This is a relatively simple construction with some beautiful elements that work great together. The bulb is striking red tube with gold/silver fumed colorcomb. The frog is Teal with my own eye cane millis. The stem and base is Paris Green 6, gold/silver fume, clear and Butterscotch. It stands 10" tall. Thanks for looking.
Crimson Delight I & II * Featured Page *

Crimson Delight I & II

(LucidVisions)
Zantedeschia, llex verticillata, and autumn grass. 31" x 8"

Trying to get a bit simpler with these arrangments, we thought the burgandy color of the calla really had a nice punch with the berries.

Exploring the Fragile Reef * Featured Page *

Exploring the Fragile Reef

(KimPerrier)

Exploring the Fragile Reef - Lead Crystal Glass - 2004
(9 Components) H - 300 mm x W - 250 mm
H - 12" x W 10"



Exploring the Fragile Reef is a component sculpture composed of 9 pieces. This sculpture allows the viewer to manipulate and change the composition at will.

Though glass is obviously a fragile material the Coral Reef's surrounding earth are similarly fragile in nature.

The abstract element's of nature can take on a personnel creative expression.

Electrician * Featured Page *

Electrician

(MicahEvans)
This was the last sectional vessel I made. It is a stoppered bottle with stand, I had cracking issues with the base and even though it was one of the most succesful visually, it was an enginering problem.

A good friend fell in love with it and convinced me to let him add it to his collection, even with a flaw or too. I am glad he has it but not so glad it fell apart! If your out there Greg, as soon as I get a kiln big enough I will fix it, I promise! Be patient, after its fixed it better last the rest of your life cuz one fix is all you get.......even if it takes a couple of years.

Encalmo Explosion Vase...6&1/2 IN. * Featured Page *

Encalmo Explosion Vase...6&1/2 IN.

(CuatroKruse)
Created using amber purple and blue moon. I made this when Mark Mccourt came up to collaborate in my my shop in durango, CO. It has a removeable explosion stopper with a glued in tentacle piece. He really helped me clean up my encalmo techniques, thanks Mark!

True height is 6&1/2 IN.

New Constructions * Featured Page *

New Constructions

(JNateCotterman)
These pieces are a combination of my intrestes in technical furnace glass and composition of objects. The pieces are moving out of the idea of a "snap-out-kit" and more toward constructions of objects composed in space.
Please feel free to check out new works added to my BFA-Works in Progress page. Thanks, enjoy.

Eric Goldschmidt * Featured Page *

Eric Goldschmidt

(EricGoldschmidt)
Here are some images of my work. I have been flameworking for about 11 years and furnace-working for about 7 years. Having studied with a host of renowned glass artists through the years has given me a wealth of technical knowledge. Digging deep within myself, I am able to project my interests in Venetian design and the subtle energies of our physical and spiritual realms.
I am currently the Resident Flameworker at the Studio of the Corning Museum of Glass. I teach at our studio in Corning regularly. You can also catch classes with me at other public and private studios around the World.
I just recently released an instructional goblet-making DVD which is available through The Corning Museum of Glass, Glasscraft, and Wale Apparatus. It should be available through several other distributors soon.
I will be teaching a week-long workshop at Urban Glass in Brooklyn, NY in June.

Sealife Sculptures * Featured Page *

Sealife Sculptures

(BenBurton)
Here are a couple sealife sculture paperweights that I made.

One Seahorse, with fan coral and water/seaweed twists. 3.5x5x2.5 inches.

One Tako, with polyp coral and giant clam w/pearl. 3x3.5x3 inches.

Sorry if the pics are a litte dark!

Aloha! and Happy New Years!

Vessels1 * Featured Page *

Vessels1

(PaulLabrie)
These are some of our lidded vessels I have been working on. I enjoy the dynamics between blowing, sculpting, and lampworking. Colors are new for me for the most part, as most of my work in the past has been large clear work.
Evening Glory * Featured Page *

Evening Glory

(LucidVisions)
Zantedeschia "Aztec Gold", llex verticillata, and burgandy grass.
31" x 11"



sculptural stemware,  insects, cagecups gallery * Featured Page *

sculptural stemware, insects, cagecups gallery

(RJasonHoward)
Selected photos from my portfolio. Includes some earlier ceramic work (97) with my first experimentations in glass... it's addicting, now it's all glass. I like to work on the larger size. most pieces are in the 15" range, with the mantis and scarab being the largest, at 24". click on my name above for more galleries, and thanks for looking
Galapagos Tubular Sea Anemone * Featured Page *

Galapagos Tubular Sea Anemone

(LoriRobbins)
To get this rendition of an anemone more realistic I added guts. Oh who am I kidding, I am just THAT sick *snickers*. If you look into the belly of the anemone you can see the entrails hard at work on the plankton :D I love little added surprises, don't you?
Brook's Flowers * Featured Page *

Brook's Flowers

(WildfireProductions)
“For the larger part of my work I adopt an experimental attitude, trying this new technique or that idea, pushing the limits of what I know. This results in the perfection of old ideas and the creation of new ideas. Glass is such a diverse substance, with so many valuable opportunities to express ideas. To me an artist strives to convey and clarify the feelings or emotions of our struggle. Now, for me, I feel the frustration and tension between our people is a manifestation of the condition of our natural environment.” ~Brook
Cast Glass  * Featured Page *

Cast Glass "Light Matters"

(BillieMartin)
This series of small figures (6" to 14" high) was done in kiln cast glass. I experimented with the traditional Lost Wax Method used for bronze casting until I figured out how to adapt it and cast glass.

Three images in this group are not of glass. "Three Gracies" is wax - yet to be cast and shows the link between my grandmother, my granddaughter and me (all named Grace.) "Eye of the Beholder" is a group of bronze figures that were the starting point for this series and reference the way different body types have gone in and out of "fashion" throughout history. "Bound and Determined" was carved from soapstone during a long, frustrating wait for kiln repairs to be done.

I have tried a large variety of sculptural methods and mediums - but glass speaks to me more clearly than anything else.

Click images to see a larger view.

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