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Glass Art Tips & How-To's

This area is for instructional galleries that present a tip, technique, or how-to on glassblowing, lampworking, coldworking, glass art, and/or related subjects.

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Andrew Brott's Sketch Book Site * Featured Page *

Andrew Brott's Sketch Book Site

(AndrewBrott)
The images and pages below, document the research, creation, and instillation of my work.
All comments are WELCOME, as I enjoy both the good and bad and input from the public, just keep your language clean…
Andrew Brott
BUT-All Designs and Artworks are PRIVATE PROPERTY, and may not be used or reproduced in any likeness or fashion, without the express written consent of Andrew Brott and Brottworks LLC, and are registered with the United States Copyright Office.

Visit www.brottworks.com

How-To: Anneal Your Glass * Featured Page *

How-To: Anneal Your Glass

(EyeCandyArts)
Some people desperately need this chart...print it out, set your kiln to it (or set it next to your kiln if you don't have Digital yet), and forget all about waking up to broken stuff. Sell your items with confidence, anneal your glass!
NEW TOOL_ * Featured Page *

NEW TOOL_ "VIN PIN"

(JohnVinEVinson)
I have been using flower frogs for years to put neat imploded designs in glass. The only problem with using the flower frogs was that they were almost always made with a lead base. When I first started using flower frogs with lead bases I ran into several problems: The glass tended to stick into the frogs i was using . Also the heat would transfer from the glass, through the brass pins, and melt the lead base. After reading about the effects of lead inhalation I decided I needed to figure out a way to make a flower frog that the beginner glass artist could use. I tried using welded stainless steel ones, but the pins that came with those were too small and stuck to the glass easily. After putting the project on the backburner a few months i finally found a graphite machining company that was willing to help me develop a prototype model: Weaver Industries: I highly recommend them to anyone who needs anything graphite!

*Upd... the vin-pin is now available worldwide on e-bay.

The * Featured Page *

The "Donnie pick up" technique (Furnace)

(AdamGrafuis)
This is a tutorial on how to do a Donnie pick up at the furnace.. thanks to the assistants ubatuba and the bigles. CSGA in Chicago
~Momka color now available @ Hel's kitchen~

~Momka color now available @ Hel's kitchen~

(HelsKitchenandthe...)
only the finest boro makes it way to the kitchen...If your interested in obtainling some of momka'a fab colors drop us a line or check out our gallery on www.glasspipes.org
How to blow crackle  balls

How to blow crackle balls

(AndrewBrott)
The images below were taken by Andy Pollack to illustrate how to blow "off the hump". I need hundreds of glass balls for a new chandelier, and this is the fastest way I have found to make them with color. This technique is similar to Venetian stemware production techniques used for cup tops. We get 6 to 10 balls per tube depending on size; and work with a "starter" and a "finisher", but could greatly increase our speed with extra person and 2nd glory hole. I hope they are displayed in order...



How-To: Stick Stack

How-To: Stick Stack

(EyeCandyArts)
Here is a quick demo on how I Stick Stack to make solid color tubing. Of course this is no substitue for taking lessons (hint hint) but if you are feeling adventurous, give it a shot. If you have questions, don't hesitate to ask. Good luck! •N8•
How to put together a chandalier with zip-ties!!

How to put together a chandalier with zip-ties!!

(MicahEvans)
At my old studio we had this chandalier that would get a new life every couple of years. It is made up of silver and gold fumed twisty cane "pendants" and about 500 zip ties! Its lots of fun and pretty easy to put together, itjust took a long time to make the 2000 twisties to cover the surface area!
Classes in Atlanta and New Orleans with Andrew

Classes in Atlanta and New Orleans with Andrew

(AndrewJ.Pollack)
New Orleans Artist
-
Want to learn how to manipulate glass?
Are you an artist who wants to try a new medium or a glass artist looking to perfect your skills?
Looking for a new hobby?

Andrew Jackson Pollack is a faculty member at The New Orleans School of Glass and is offering full day workshops in his Atlanta studio. Space is Limited. So sign up now!

2008 New Orleans Workshop Dates:

Please call the New Orleans School of Glassworks ("Glassworks") or the New Orleans Creative Glass Institute ("NOCGI") for more information.

... Atlanta Workshop Dates:

No classes confirmed at this time - please call to schedule.


All classes are 10-4 and cost $100 and up. Private lessons are available.
Call Andrew at 504-723-8235
or come to New Orleans and take classes at the South's newest glass studio - Andrew Jackson Pollack Designs : New Orleans. Gallery, Studio, Classes.

Andrew is still on the faculty at the New Orleans School of Glass and has been there for over 10 y

How-To: Get Heat Rash (or rather, how NOT to get it)

How-To: Get Heat Rash (or rather, how NOT to get it)

(EyeCandyArts)
Directions for Heat Rash: Work long hours without a shirt in high humidity for days on end, and you might get this. It went away after a few days, but it comes back with long work days occasionally. As it fades away, it kind of looks like leopard print!
Tuna Can Drops

Tuna Can Drops

(Sun-Toys)
Dichroic glass 90 series slumped through a hole in a steel (not aluminum) tuna can. One was restricted by placing a tray beneath the can giving it a foot to stand on. The other is unrestricted giving it a round bottom. The tops have been cold worked. Creating little mini vases. I find that this is a great way to get rid of unusable scrap.
2006 - Nathan Miers Intermediate Vessel Class

2006 - Nathan Miers Intermediate Vessel Class

(EyeCandyArts)
Feb 2006, Olympia, WA, @ The Glass Reef.
A private group pf 4 advanced flameworkers attended this private Intermediate Vessel Class. The group of students came to me requesting further instruction on various prep and hollow-form assembly procedures. Lecture/Demo/Q&A and Hands-on working was all provided in this one day intensive workshop.

To see scheduled classes, or request a private workshop, please see my website eyecandyarts.com for more info.

Glass sand casting

Glass sand casting

(AndrewBrott)
While moving into my post Katrina, CERF sponsored "FEMA Studio", I found these old photos while unpacking... Here is how sand casting works: Use two or more sizes of olivine sand (differing "grain" sizes make for smoother castings), mix it with 7% to 10% of betinite clay body. This helps to hold the sand together. Slightly dampen, and run it through screens, as to sift it like cake flour. Make impressions in the sand, and spray it with a mixture of sugar and water (molasses works great). Use an acetylene torch to burn the sugar/water, and to add a layer of black carbon to the sand surface. This barrier will prevent the glass from sticking. Ladle in molten glass at 2300F. Poke vent holes under and around the poured casting, and use torches to evenly cool the glass. When the glass reaches 1150F, load it into an annealing oven to cool. Use Libinsky's annealing chart to cool to room temp. This chart can be found the Bible of Studio Glass; Henry Halem's book "Glass Notes".
Andrew Brott
4/18/06

TECHNIQUE IS CHEAP!

TECHNIQUE IS CHEAP!

(TravisWeberGlass)
This is a spiral technique I found. It helped me speed up production and reproduce color scemes that worked well. I do know if others are doing this. I have shown a few people before. They liked it so thought others might appreciate the concept. When I found colors that worked well I could save a piece of the cane stock for future reference. Don't be shy on the color because it gets pulled down so much.You can get like 20 pendants if you want for one cane. Try some dicro.The bigger the cane the easier it is to do.. Also the most important thing is a nice a clean cut on the edge. Weld them together very gently to not mash the clipping into the clear rod. When pulling the termination for the center of the spiral you must pull it nice and tight in order to keep the color. It does take some practice.
Seasons of glass

Seasons of glass "FALL"

(TerryArmstrongHamra)
This Bowl will be in the November -December 06 issue of The Flow magazine. A Flame workers Journal.In a definntave step by step articel. See how it is done.
Working Warm, Hot and cold. Order your issue at www. theflowmagazine.com

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