I love making art/chandeli... but I am also looking to do a show which explores Gulf Coast imagery, and draws attention to the loss of our coastal wetlands. If you’re interested in helping or sponsoring such an event please contact me at andy@brottwo...
336 x 448 px
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I respect the work of Dale Chihuly, and am grateful he (and many others) have laid a strong “foundation” I can build on; but my work relies on design principles of the “Arts and Crafts Movement” Begun by Ruskin + Morris in 1860's. Open and read this pic.
542 x 768 px
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I also see the metal frame as not something to be hidden, but accentuated. It is the skeleton or structure that defines the shape of the piece. Please go to my “Satsuma Baskets Series” on this site to see what I mean.
318 x 448 px
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The frame is just as important as the glass, and I design it in conjunction with U.L. code 1598-section 7.2 to be safe, and have easy access to change a light bulb. Orson Wells said it best: “The absence of limitations is the biggest enemy of art”,
336 x 442 px
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Except for a small blown glass ball at the bottom of the dome, all of the glass is kiln cast and slumped from ¼” “float” glass plate from Mexico. The yellow color is from silver, and only comes out when light is transmitted through the glass.
360 x 480 px
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Silver also makes the green and blue colors when light is transmitted against the glass. Think of a cathedral with stained glass windows; the glass is best viewed inside the church during the day, and outside at night.
336 x 442 px
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As this glass site is mostly used by lampworkers (look at the top 100 galleries), they understand this color technique best. Window glass has a color pallet similar to that of borosilicate glass, while stained or blown glass is like moretti.
336 x 442 px
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The lower kiln cast and slumped dome rest on 6 points, and attaches to the upper frame. Each of the 18 arms, simply rest on two points on the upper frame. This was the easiest chandelier instillation I have ever done…
336 x 442 px
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The “cathedral effect” projects light to invigorate space; in other words I design work that puts glass in the right place to do its job. If I do my job well, the chandelier shapes and colors will be projected onto the ceilings and walls.
336 x 442 px
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I designed this work to fit its intended space; notice the Jeff Stollier painting in the background, I used this for my texture and color pallet.
336 x 448 px
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It may look heavy, but the finished chandelier weighs in at 38.5lbs. A dimmer allows the clients to adjust the light levels from EXTREEMLY bright, to low and subtle ambient glows of yellows, blues, and greens.
336 x 442 px
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