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Pictured as a 54"x 23”x 54", U.L. listed, mixed media Lit Sculpture for Crave Restaurant in Edina Minnesota, from my Satsuma Basket Series. Craft without theory is just and object. As I searched for meaning to my work, I loosely practiced the design principles of Ruskin and Morris, and Arts and Craft Movement of the 19th and 20th centuries. Now, with a little help from my Post-K PTSD (Post Traumatic Stress Disorder), I fully comprehend their theories, and shout again Sullivan’s phrase “FORM FOLLOWS FUNCTION”. There is a metaphysical force or Living Aesthetic, which uses the laws of evolution to create our physical world and govern the universe. My work mixes traditional craft materials, with research into Living Aesthetics; I hope to continue Morris’s work and “elevate decorative arts to fine arts stature". To most of y'all, I must sound like a turd burgling arrogant twit moron, but I actually believe in my own "BS", and used it to make this work. ALL COMENTS ARE WELCOME! Warm regards, AB 3/07
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It's 3-10-07 will post better images at a later date.
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My wife (Costume Designer Kellie Grengs) and I live by the motto: "your only as good as your research" Above is a photo from my "Real Sketchbook" and my continuing study of baskets.
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I used the Science of Living Aesthetics; governed by the principle “form follows function” to design Craves Sculptures. 3 of the 5 Chandeliers, are baskets of Satsumas (a Louisiana citrus crop) the other 2 (not pictured) are lava drops.
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Each basket must comply with U.L. Code 1598 for safety, provide structure for the glass to block or diffuse direct light, and MUST incorporate my design principles as outlined in my artist statement.
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I also must design for easy bulb access; this Oval Basket is through the top. LED’s are improving, but are not bright enough and suffer from power loss. 5 years? If it does last that long, it would only be one 10th as bright...
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This crude sketch, is one of my many original concept drawings. Many thanks to David Shea, Tanya Spaulding and Jennifer Fornengo for their hard work and design input. David's firm (The Shea Group) designed Craves interior and is responsible for the des
377 x 336 px
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Thanks again to Eddie and Angela Bernard and all the folks at the New Orleans Creative Glass Institute or NOCGI.. Jimmy and I spent many hours, blowing hundreds of pounds of glass to complete all 5 of Craves Sculptures.
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Jimmy and I tested as to be sure we had enough balls to complete all 3 of Satsuma baskets... Each ball has an iridescent crackle that reflects light, notice how different this looks without the 600 watts of illumination turned on.
442 x 336 px
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Note to self: next time be sure to warn them you wanted to use 4- 200 watt bulbs (two in each light chamber), the power grid could only support 600 watts. It was more than bright enough...
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The upper section has hollow blown glass flowers, each with an iridescent or reduced finnish inside to reflect projected light. The ribbons are solid glass, with adventurine green and copper inside cases with clear and corresponding color.
448 x 336 px
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It has taken me 15 years of trial and error to come up with these and similar diffusion techniques. Some have criticized me as for being a “Lamp smith”, and relying soley on cheap tricks to make my work.
448 x 336 px
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They may have been correct when I was 23, but at 38 I understand the metaphysical forces which define the creation and evolution (Living Aesthetics) of our physical world. This basket is alive ...
1024 x 778 px
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I am a student, teacher, and disciple of the "Studio Art Glass Movement". Andrew Brott
Andrew Brott 5110 Freret Street New Orleans LA 70115 US Phone: 504-239-3030 www.brottworks.com
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